Underpainting?
#1
Posted 14 April 2012 - 07:24 AM
I was just wondering if someone could explain what the intension of this would be.
#2
Posted 14 April 2012 - 11:54 AM
John Bonnot, Grandmaster Punster, resident Monkeyboy, member of the Reaper Paint Crew, the Bufo Frog of Caffeine, and Suburb-Class Painter. "If you're not cheating, you're not painting." -- Me
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#3
Posted 14 April 2012 - 12:15 PM
Occasionally I under paint flesh in a grayish blue as it's what classical painters use, and I'm by no means very good at it, but it makes your flesh look different. Here's a recent example.
A way to make bone look aged is to get a off white as your under coat and then to glaze it with Reaper's Olive Skin shadow and work up to what you want.
For a quick rust you can stain with a dark reddish brown.
You can see both of this in a quick skeleton paint up I did the other week
@monkeysloth
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I never thought I'd write this...but I agree with MonkeySloth on this one. ~ Adrift
#4
Posted 15 April 2012 - 02:35 AM
Sorry I am a bit vague and clueless on this it art school I had my hands in clay and to get color I needed to know the periodic table (I also have very poor colour sense)
#5
Posted 15 April 2012 - 11:02 PM
- Grisaille - the underpainting of a scene or human figure with a greyish undertone. (As Monkeysloth mentions.) The intention is to create a solid undertone to flesh colors while working out the lights/darks in the composition.
The painter then glazes over it with layers of semi-translucent flesh tones (in oils typically.) The grey tones set the light and shadow values for the flesh without having to paint in all the darks and shadows using flesh colors.
Think of it almost as tinting a black and white photo with colors.
- Verdaccio - another classic underpainting technique that uses a greenish-brown (or greenish-grey) undertone to flesh colors. The theory is the green mimics the darker tissues underlying your skin (think a mix of blood vessals, muscles, organs, etc.) to set a tone for the lighter skin colors over the top.
Again the painters would glaze with transparent oils to leave some of the darker flesh underneath.
Another easier way to undertone is prime with grey primer. That tends to neutral out the colors you paint over the top of it, having a similar effect o grisaille. (Black primer has the same effect, but is obviously much darker and needs a lot of work to cover up.)
#6
Posted 15 April 2012 - 11:35 PM
@monkeysloth
---My Tutorials---
New: Sculpting and Painting Rocks | My Tutorial List and WIP Thread
I never thought I'd write this...but I agree with MonkeySloth on this one. ~ Adrift
#7
Posted 16 April 2012 - 02:10 AM
I've been meaning to try it, but have never quite got around to it.
#8
Posted 16 April 2012 - 06:59 AM
#9
Posted 16 April 2012 - 02:49 PM
The common way to do it is with spray primer. You first cover the mini in black primer then "dust" the miniature with white from the direction you want the light source.
@monkeysloth
---My Tutorials---
New: Sculpting and Painting Rocks | My Tutorial List and WIP Thread
I never thought I'd write this...but I agree with MonkeySloth on this one. ~ Adrift
#10
Posted 17 April 2012 - 08:46 AM
I think the intention of zenithal priming is to do a quick version of underpainting. You lay in the broad areas of shadow and highlight via the direction of the spray and three dimensionality of the sculpt. If you glaze over this, you WILL see a rough/spotty look in the gray areas where the white is spotted over the black. You can try to minimize that by hand brushing white/black/gray to smooth out the transition areas. That is what I did on this hag miniature, and though I spent quite a while hand brushing the under surface, there is still a bit of a rough quality. http://www.coolminio...rowseid=1284640. I have a partially painted mini with glazes over a straight spraycan zenithal prime I should take a picture of some time as it shows the blotchiness a lot more. Though it's a blotchiness I could probably live with on gaming minis. :-> I believe if you do the same technique with an airbrush, you can get it a lot smoother.
The mini I don't have a picture of is from a class with Eric Louchard. He posts here in the show-off forum under Elouchard, and if you search for his posts you'll find some minis he's done with underpainting and glazes with some descriptions about his technique. He also has a tutorial on his website. http://www.lonebrush...derpainting.htm Another painter has posted his experiences of trying the technique on CMON. http://www.coolminio...m/articles/1215
#11
Posted 21 April 2012 - 10:38 AM
#12
Posted 23 April 2012 - 12:22 PM
Zenithal highlighting is different as it's about laying down two different base coats, one bright and one dark, and then you paint over those and you get some quick shading and highlighting pre-painted on.
The common way to do it is with spray primer. You first cover the mini in black primer then "dust" the miniature with white from the direction you want the light source.
Cool, there's a name for something I thought was just me being lazy with highlighting, shadowing and OSL attempts.
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